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The stone heads of Easter Island – moai and Hoa Hakanania’a

“The stone heads of Easter Island have cast an almost magical spell on anyone that has seen them – if only in a photograph. Though often eyeless, they still gaze along the shores of the island. What were they built for and who were the artisans of these mysterious creations?”  – Philip Coppens (www.philipcoppens.com)

“Easter Island is located at one of three apexes that form what is known as the Polynesian Triangle. In the north is Hawaii; at the southeast, New Zealand; and on the far eastern end, Easter Island. Each leg of the triangle is 7,000 miles (11,265 kilometers) long. Th e island is 2,300 miles (3,701 km) west of South America and 2,500 miles (4,023 km) east of Tahiti. It is 3,700 miles (5,955 km) north of Antarctica. Th e closest inhabited island is tiny Pitcairn, 1,260 miles (2,028 km) to the west, where the mutineers of the H.M.S. Bounty settled in 1790. Easter Island is one remote, isolated place.” (The Lost World of Easter Island by Ronald A. Reis – 2012 – Infobase Learning.)

Easter Island is a true land of mystery. One of the most remotely inhabited places on Earth, this 64-square-mile speck in the South Pacific is more than 1,000 miles from anywhere else, yet Polynesian voyagers managed to settle Easter Island a thousand years ago. No one knows why the Moai, nearly a thousand megalithic volcanic statues, were carved, transported, and erected–or why they were all found facedown by European explorers. In addition, did a Stone Age population of less than 10,000 actually deforest the land, causing environmental devastation? There were as many as 16 million Chilean palms covering 70 percent of the island when the settlers first appeared, but Westerners in the early 18th century were astonished by the total absence of trees. Furthermore, the islanders adopted a new cult based on the worship of birds and in the process, annually elected a “sacred birdman” in a competition that may have been the most dangerous of its kind anywhere in the world. Though the island is one of the most studied and probed places on the planet, Easter Island remains one of the most mysterious places on the planet.

It was Easter 1722. The Dutch Admiral Jacobs Roggeveen had discovered a new island in the Pacific Ocean. He named it Easter Island. Near the coastline, his crew saw small boats of the local people setting off to greet his ship. Scanning the coastline of the island, he saw gigantic heads. Roggeveen gave this description of the heads: “the stone heads surprised us. We could not understand how these people, who do not have load-bearing wood to make machinery, or strong rope, succeeded in erecting these statues, statues that measure ten metres in height and width.” Roggeveen had just added one more entry in the growing list of mysteries: the more Westerners travelled the globe, the more enigmas they came across.

When Roggeveen arrived, there were two tribes on the island. The first was the Ha-nau-aa-epe, which was distinct because of their long ears. They were tall, white-skinned with red hair and ca. two metres tall. The other tribe was the Ha-nau-mo-moko, which had short ears. Though it is assumed that the statues were created by the short-eared tribe, under the command of the long-eared people, portraying the latter, there was also a massacre of the long-eared people in 1760; apparently only three of them survived. The massacre is normally interpreted as a revolt of the short-eared people against their oppressive elite of the long ears.

By 1877, only 111 people were still living on the island.

The civilisation of Easter Island was eventually made famous by the British pioneering expedition of Katherine Routledge, who arrived on the island in 1914 and began what amounted to the first serious archaeological campaign into the mysteries of the island and – specifically – its enigmatic stone heads. With help from the locals, she and her husband eventually excavated thirty figures and recorded the island’s legends and history.

A century onwards, the origin of almost thousand stone heads remains nevertheless extremely difficult to assess. All statues gaze towards the land, even though many of the statues stand very close towards the sea. They measure between two and eleven metres high and all have the same appearance: a long shaped head with an upper torso, a chin and long ears, with arms along the body or arms that rest on the stomach. Some statues still contain eyes, made in white and red stone and coral. Only ca. seventy of the more than thousand statues have a “pukao”, or “hats”, on their head. The name originated from reports of the first visitors, who had spotted certain local people with a headdress made of red feathers. This small number of hatted heads has puzzled archaeologists for many decades. The volcanic rock used for the hats came from a sacred quarry inside a crater full of red scoria, a volcanic pumice. The rock had to be transported for several miles on rolling tree trunks. Sue Hamilton believes that the hats were, in fact, a plait or top knot that was only worn by the elite chieftains.

The 20th century did provide an answer to their age. Archaeologists learned that the first people had come to the island between the 4th and 7th century AD. The platforms were constructed shortly afterwards, with the statues beginning to be erected after 1000 AD. No more statues were erected after 1680, the result of society collapsing, caused by or resulting in warfare. Conclusion: the statues were constructed over a 500 year period – meaning that on average, two heads were erected each year.

The stone used for the heads originated from the inner core of the Rano Rarku volcano. Indeed, there, hundreds of empty spaces remain, though close to 400 statues also still remain inside the quarry. This is an interesting situation, for it would mean that there were enough statues being quarried for a century to come… somewhat unlikely and suggesting more than two statues were erected each year. One unfinished statue is labelled “El Gigante”. It measures twenty metres tall and weighs 270 ton.

How were the stones quarried? Several pointed stones were still in situ in the quarry; they seemed to be the likely tools that had been used. The Norwegian explorer Thor Heyerdahl tried to recreate the stone heads in situ. Six men worked for three days, resulting in a stone head that was five metres high. It was argued that it would take a team of six people one year to create a giant statue – meaning that the entire production of the stones could be the result of just twelve people.  

Several traces of tracks from the quarry to the various locations of the statues remain visible, some of them ten kilometres long. What is equally clear is that the largest statues stand closest to the quarry. Though it was no doubt because more effort was required in moving them, at the same time, the statues were quite fragile and might not have survived the longer journeys.

As to how the heads were transported: wooden rollers. The first researchers believed that the island had always been without trees, but more recent research has shown that trees were indeed present on the island. Several possible techniques have thus been recreated in an attempt to see how the statues could be moved. Using wooden carriers, the heads were moved over a distance of fifty metres in two minutes. Later efforts actually involved putting the statues on their back, rather than moving them erect.

As to where the artisans came from, that question was also posed by Thor Heyerdahl. He doubted the general assumption that they had come from the west and felt they originated from Southern America – specifically Peru. However, archaeologists could not support this theory, as they stated that the Peruvian people did not possess sea-worthy craft that would reach as far as Easter Island. 

In his unique style, Heyerdahl wanted to challenge this argument and in 1947 organised the Kon Tiki expedition, in which he used a traditional Southern American boat in his effort to reach Easter Island. Heyerdahl’s voyage lasted 101 days, covering 6000 miles, showing that the ship was definitely seaworthy – contrary to the archaeological opinion. Nevertheless, Heyerdahl did not make it to Easter Island, but ended up in Tahiti. Equally, Heyerdahl was subjected to some critique, as the design used post-dated the Spanish conquest of Southern America. Furthermore, the ship had a sail and was dragged 100 kilometres from the shore before it was allowed to sail on its own power. This was necessary as the strong currents hitting the Peruvian shores did not allow the ship to leave the coastal waters. The currents pushed the ships northwards, towards Panama – not westwards, towards Easter Island.
Heyerdahl’s expedition was the first of a series, all intent to reach Easter Island from Southern America. But all of them ended up in Tahiti – not one ever made it to Easter Island.

Nevertheless, it is true that a certain amount of plants on Easter Island have a Southern American origin. It was in fact such evidence that inspired Heyerdahl and others to argue for the Southern American origins theory. However, subsequently, it has been shown that at least one of these plants was taken to the island more than 30,000 years ago – by animals. Another plant had been spread across the islands of the Pacific Ocean via it drifting on the oceanic currents. 

The only proof left to Heyerdahl for a human agent was the presence of the potato on the island. Though it is enigmatic, there is alas no proof that it was transported by humans. It might have been transported by clinging on to birds. One anomaly is just that: an anomaly, not proof positive that the opposite therefore has to be true. As a result, it was clear that the likelihood that Southern Americans had reached Easter Island became less and less likely.

Evidence that the population of Easter Island did actually originate from Polynesia was discovered on the island of Pitcairn, 2000 km west of Easter Island. 1790 traces of a Polynesian influence were discovered there – but the most important discovery was the presence of giant heads, erected on platforms, suggesting a link between Pitcairn and Easter Islands. Unfortunately, the earliest colonists had destroyed these heads, which is one of the primary reasons why this link is little known.

The final breakthrough that the people from Easter Island came from the West and not Southern America came when DNA research of skeletons, dated from 1100 to 1868, revealed similarities with Hawaii and the Chatham Islands, near New Zealand. Indeed, in the end, Heyerdahl himself toned down the Southern American origin theory.

Still, many mysteries of Easter Island remain, like the enigmatic writing known as rongo rongo. At the time of the arrival of the Europeans, there was still a vast store of rongo rongo tablets and other wooden artefacts covered with these hieroglyphs. They were kept in covers made of reed, although few if any could still read them. The language was first seen by a priest, Joseph Eyraud, the first non-local person to settle on the island… and the one to lit bonfires, so that all writings of the Easter Island population disappeared.

Today, only 26 artefacts featuring rongo rongo remain, giving us a total of 16,000 signs. Unfortunately, all attempts to decipher the language have so far seem to failed, though there have been some close calls. In 1886, the American sailor William Thomson discovered two tablets and spoke to an 83-year old inhabitant, who stated that he could read the language, but that he would not: the Church had forbidden the active use of the language. After a bribe, the elder person was willing to look at the tablets, even though he was unwilling to touch them. After having read them, the man, accompanied by a few other locals, sang a fertility song. But because there was no confirmation possible that this was indeed the contents of this text, Thomson’s statements were received with the customary level of scepticism.
However, Professor Benon Z. Szalek of the University of Szezecin is seen by some as the decoder of the rongo rongo language and argues a similar case, namely that “the Easter Island writings constitute sequences of short ritual formulas praising the avatar – incarnation or son of the god. These texts do not contain any genealogies, historical traditions or tales.” Ritual formulas like fertility songs?

Additionally, Szalek believes that it were the Tamils from India that brought their civilisation to Easter Island. “The anthropological studies of the old skulls from megalithic graves indicate an amazing fact, namely that around 60 percent of Easter Island’s population was of Europoidal origin.”

Legends from the island state that the first king, Hotu Matua, brought with him 67 previous tablets from his land of origins in the west and that he also imported the religion of the “bird man” and Make Make. This cult featured an annual race for the first egg laid on the nearby islands of Motu Iti and Motu Nui. The race selected a man, who for the next year became the god Make Make’s personification, and bearer of the divine force that was associated with Make Make. Throughout the year, the man was kept isolated from his family, sealed off in a cave, which would mean that the lack of sunlight made his skin whiter, and hence, they argued, more god-like.

It was at Anakena that one of the island’s secrets was finally discovered. Archeologist long puzzled over the deep eye sockets of the moai that had been erected. Could it be that the moai had in fact had eyes?

In 1978, a student named Sonia Haoa found fragments of worked coral and a red disk made out of scoria, the same material used to make the pukao. When fitted together they made an unmistakable eye. She brought the fragments to archeologist Segio Rapu who discovered they fit precisely in the eye socket of a moai. So, the moai did have eyes, although, it is unclear if they were permanent fixtures of the statues or placed in them only on ceremonial occasions as is done now on the island with replicas of the eyes.

A History of  the World in 100 objects, by Neil MacGregor, lists a statue named Hoa Hakananai’a  (‘Stolen or Hidden Friend’) from Easter island at #70.  Hoa Hakananai’a is a moai statue from Orongo, Easter Island (Rapa Nui), Polynesia, around AD 1000 and is displayed in The British Museum.

The moai were probably carved to commemorate important ancestors and were made from around AD 1000 until the second half of the seventeenth century, when the birdman cult became more central to the Easter Islanders.

When Captain Cook’s crew visited Easter Island in 1774, William Hodges, Cook’s artist, produced an oil painting of the island showing a number of moai, some of them with hat-shaped stone ‘topknots’. Hodges depicted most of the moai standing upright on stone platforms, known as ahu. With the adoption of Christianity in the 1860s, the remaining standing moai were toppled.

This example was probably first displayed outside on a stone platform, before being moved into a stone house at the ritual centre of Orongo. It was collected by the crew of the English ship HMS Topaze, under the command of Richard Ashmore Powell, on their visit to Easter Island in 1868 to carry out surveying work.

Islanders helped the crew to move the statue, which has been estimated to weigh around four tons. It was moved to the beach and then taken to the Topaze by raft.

The figure was originally painted red and white, though the pigment washed off in the sea. The crew recorded the islanders’ name for the statue, which is thought to mean ‘stolen or hidden friend’. They also acquired another, smaller basalt statue, known as Moai Hava, which is also in the collections of the British Museum.

Hoa Hakananai’a is similar in appearance to a number of Easter Island moai. It has a heavy eyebrow ridge, elongated ears and oval nostrils. The clavicle is emphasized, and the nipples protrude. The arms are thin and lie tightly against the body; the hands are hardly indicated.

The back of the figure is carved with designs, believed to have been added at a later date. The back of the head shows a bird flanked by ceremonial paddles. The centre of the back is carved with a ‘ring and girdle’ motif, as carved on many wooden figures from Easter Island.


The Lost World of Easter Island by Ronald A. Reis – 2012 – Infobase Learning

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