TimeScapes was shot, edited and color-graded at 4K resolution (4096 x 2304 pixels).
It is the world’s first movie to be sold to the public as a 4K file.
4K has aproximately 2700% more pixels than standard television, and 450% more than HDTV.
THE MAKING OF TIMESCAPES
This led to a chance encounter on the internet with New Zealand composer and entrepreneur Nigel “John” Stanford. After a brief email conversation, “TimeScapes” the movie was born, with Stanford agreeing to fund the movie and provide Tom with a 4K Red MX digital cinema camera, while Canon USA sponsored the film by providing Lowe with 5.6K 5D Mark II DSLRs and lenses.
Production involved many hardships. Tom slept outdoors for 250 nights, sleeping on cots (without tents) under the stars next to his camera, while timelapse was being captured. During the middle of principle photography on “TimeScapes”, Lowe won the Astronomy Photographer of the year award in 2011, with the above image, ‘Blazing Bristlecone’ – featuring a 4,000-year-old bristlecone pine tree against the Milky Way. Unbeknownst to the judges, the photo was actually just one frame of a time-lapse movie, which is featured in “TimeScapes”, the movie.
TimeScapes was shot in 5K resolution on Red Epic and Canon DLSR cameras, edited in 4K in Adobe Premiere and After Effects, and graded at 16-bit 4K at Light Iron Hollywood on a Quantel Pablo system, by colorist Ian Vertovec (“Girl with the Dragon Tattoo”,“Social Network”).